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The North Sask Music Zine
"Where the music is the message
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Home: Welcome
FINAL BLOOD: Regina's Hollow Dominion Close a Chapter with “Lifesblood”
11 hours ago
A Celebration of Women in Music: Inside the Rehearsal Room
2 days ago
Review: Echoes of the Eighties Pulse Through Jordan Perry’s “Alone”
3 days ago
Review: Hartz Roller’s Debut Channels ’70s AM Gold
4 days ago
Thrash Night in Saskatoon: Megadeth Leads a Relentless Triple Bill
5 days ago
International Spotlight: Lee Harrison's relentless drive powers Monstrosity into 2026
Feb 22
Review: Ella Forrest Brings the Warm Glow (and the Get Down Grooves) to Prince Albert
Feb 22
Econoline Crush Reclaim the Spark on Explosive Self-Titled Release
Feb 22
Holding up the Mirror with Adam Johnson
Feb 21
Canadian Massacre Incoming: Exodus to Bring the Goliath Era to Saskatoon's SaskTel Centre
Feb 20
International Spotlight: GRAVEBORN Confront Collapse and Continuity on Monumental New Album Metempsychosis
Feb 20
Blind Commentary Crank Up the Tension on “Trapped in the Walls”
Feb 18
Pythonic's Decomposition EP: Rebuilt, Refined, and Ridiculously Relentless
Feb 18
Forty Years in the Mix: Keyboardist Sam Reid on the Making of Glass Tiger’s Debut
Feb 17
HARDY Shakes SaskTel Centre with Fire and Heart on “Country! Country!” Tour
Feb 16
Howl: Katelyn Lehner’s Dancefloor-Ready Anthem Packs Style, Swagger, and Staying Power
Feb 9
Synths in the Snow: Jordan Perry Leans Into Nostalgic Electro-Pop with "Sleep Forever"
Feb 9
Wearing the Heart on Its Sleeve: LILI’s “Down Bad” Embraces Vulnerability
Feb 9
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